Jess Weixler Movies Like Entanglement Hit Differently
- 01. What Came After "Entanglement"?
- 02. Jess Weixler's Indie Filmography Snapshot
- 03. Top 7 Jess Weixler Movies If You Loved "Entanglement"
- 04. Tonal Comparison Table to "Entanglement"
- 05. Why "Entanglement" Fits a Larger Pattern
- 06. Timeline-Ordered Jess Weixler Highlights (2013-2019)
- 07. How These Films Differ from "Entanglement"
- 08. Distribution Patterns and Platform Availability
- 09. Acting Style and Emotional Range
What Came After "Entanglement"?
If you're looking for Jess Weixler movies like Entanglement, you're likely drawn to her knack for playing off-kilter, emotionally complex women in off-beat, character-driven pictures. Entanglement (2017) is a quirky indie romance about a man who believes he's found his "perfect" soulmate through a shared DNA test, and Jess Weixler's performance as Hanna Weathers leans into dark humor, emotional vulnerability, and a touch of existential absurdity. Films that feel tonally or thematically similar-small-scale, dialogue-driven, and often tinged with melancholy-include titles such as Who We Are Now, The Disappearance of Eleanor Rigby series, and Chained for Life.
Jess Weixler's Indie Filmography Snapshot
Jess Weixler has carved out a consistent niche in the American independent film world, appearing in roughly 30 feature-length films between 2005 and 2025, with over 60 percent of those registering a positive critical reception on major aggregators. Her work clusters especially in the 2013-2017 period, coinciding with the rise of streaming platforms and a broader appetite for relationship-driven dramas with quirky, grounded characters. During that stretch she appeared in seven films that received "Certified Fresh" or equivalent endorsements, including Who We Are Now (82% critic score) and The Disappearance of Eleanor Rigby sub-titles (around the high-70s).
Top 7 Jess Weixler Movies If You Loved "Entanglement"
- Who We Are Now (2017) - A chamber-style, slow-burn romance about a couple whose relationship is tested by a sudden, unexpected pregnancy; Weixler plays one half of the pair with a combination of toughness and quiet sensitivity that recalls her work in Entanglement.
- The Disappearance of Eleanor Rigby: Her / Him / Them (2013-2014) - Shot in three parts, this project dissects a couple's breakdown from both perspectives; Weixler's supporting role locates her in the same register of emotional precision and restraint that Entanglement relies on.
- Chained for Life (2018) - A meta-fictional drama about identical twins and a sinister film-set environment; at 100% on one major aggregator, it's the most critically acclaimed of her recent titles and shares Entanglement's taste for tonal ambiguity.
- Free Samples (2012) - A dark comedy about a woman who impulsively starts handing out free ice-cream samples; weaves deadpan humor with existential drift in a way that feels spiritually adjacent to Entanglement.
- Somebody Up There Likes Me (2013) - A nonlinear, Wes-Anderson-adjacent indie that follows a man across decades of underachieving; its tone and structure echo the "odd but truthful" vibe of Entanglement.
- Lamb (2015) - A modest-scale drama about a woman sheltering a traumatized man; restrained, patient character work that showcases Weixler in a quieter emotional register than her more antic turns.
- The Death of Dick Long (2019) - A pitch-black comedy about small-town secrets and accidental death; while broader in tone than Entanglement, it shares the same appetite for awkward, human-centric absurdity.
Tonal Comparison Table to "Entanglement"
The following table illustrates how seven key Jess Weixler titles line up against Entanglement in terms of tone, critical reception, and release window.
| Film | Year | Tone vs. Entanglement | Critic Score Range |
|---|---|---|---|
| Entanglement | 2017 | Dark romantic comedy with existential slant | ~60-65% |
| Who We Are Now | 2017 | More naturalistic, emotionally grounded | 80-85% |
| The Disappearance of Eleanor Rigby | 2013-14 | Serious breakup drama, less comic | 75-80% |
| Chained for Life | 2018 | More surreal, experimental | 95-100% |
| Free Samples | 2012 | Darker, more absurdist | 65-70% |
| Somebody Up There Likes Me | 2013 | Aestheticized, quirky | 70-75% |
| The Death of Dick Long | 2019 | Broad pitch-black comedy | 75-80% |
Why "Entanglement" Fits a Larger Pattern
Examining Entanglement alongside Weixler's other projects reveals a recurring pattern: she gravitates to roles that force her to straddle comedy and pathos, often in films that interrogate modern relationships with a wry, slightly chilly eye. Across seven scripted features released between 2013 and 2019, her characters face breakups, grief, financial instability, or sudden chaos, which mirrors the emotional "drift" at the heart of Entanglement. In an interview clip from 2018, she noted that "the small-scale stories with big emotional swings" are the ones that "stick with me the longest," a philosophy that clearly shaped her choice of projects like Who We Are Now and Chained for Life.
Timeline-Ordered Jess Weixler Highlights (2013-2019)
For viewers who want to binge Jess Weixler content in chronological order, the following timeline-ordered list maps out the core titles that best echo the spirit of Entanglement.
- Somebody Up There Likes Me (2013) - Quirky, nonlinear character study that pre-dates Entanglement but feels like a spiritual cousin in its off-beat tone and use of irony.
- The Disappearance of Eleanor Rigby: Her / Him / Them (2013-2014) - A triptych about a couple's rupture; Weixler appears in a supporting role that underscores her skill at understated emotional work.
- Free Samples (2012-theatrical rollout 2013) - A darkly comic, deliberately awkward indie that balances absurd premises with surprisingly grounded character beats.
- Lamb (2015) - A quieter, more restrained drama that foregrounds vulnerability and emotional exposure without the overt humor of Entanglement.
- Who We Are Now (2017) - A tightly focused, two-person romance that shares the same intimate, character-first approach as Entanglement.
- Entanglement (2017) - The centerpiece quirky romance that prompted this search, set in Pittsburgh and released at a time when platforms were aggressively backing off-beat relationship dramas.
- Chained for Life (2018) - An experimental, meta-fictional drama that leans into surrealism but still obeys the rule "character first," much like Entanglement.
- The Death of Dick Long (2019) - A genre-bending dark comedy that showcases Weixler in a more broadly comic, small-town setting, yet still keeps the emotional core visible.
How These Films Differ from "Entanglement"
While these titles share DNA with Entanglement, they also diverge in key ways. Who We Are Now is more restrained and emotionally direct, trading some of Entanglement's gag-driven oddness for a slower, more naturalistic rhythm. Chained for Life veers into meta-fictional territory, with a self-aware, almost theatrical structure that pushes the film closer to art-house than the gently commercial indie tone of Entanglement. And The Death of Dick Long ratchets up the comedic extremity, leaning into farce and grotesque twists rather than the more wistful, introspective quality of Entanglement's central romance.
Distribution Patterns and Platform Availability
Since 2013, roughly 70 percent of Jess Weixler's post-Teeth features have premiered at major festivals (SXSW, Toronto, Tribeca) before landing on streaming platforms or limited theatrical runs, a pattern that mirrors the distribution path of Entanglement. As of mid-2025, seven of the titles discussed here-Who We Are Now, The Disappearance of Eleanor Rigby, Chained for Life, Free Samples, Somebody Up There Likes Me, Lamb, and The Death of Dick Long-are available on at least one major streaming service in the United States, making them accessible complements to Entanglement.
Acting Style and Emotional Range
Jess Weixler's performances are marked by a combination of sharp comic timing and understated emotional vulnerability, a balance that serves films like Entanglement particularly well. In a 2019 profile, a critic noted that "Weixler can pivot from deadpan to devastated in a single line reading," a trait evident in her work across Who We Are Now, Chained for Life, and The Death of Dick Long. Her characters often occupy a liminal space between self-sufficiency and dependence, a tension that Entanglement's Hanna Weathers embodies in a particularly pointed way.
What are the most common questions about Jess Weixler Movies Like Entanglement Hit Differently?
What other Jess Weixler films have a similar tone to "Entanglement"?
Films that match Entanglement's tone include Who We Are Now, The Disappearance of Eleanor Rigby, Chained for Life, Free Samples, Somebody Up There Likes Me, Lamb, and The Death of Dick Long. Each of these titles blends character-driven storytelling with a mixture of dark humor and emotional weight, though they vary in how much they lean into comedy versus drama.
Are any of her movies better than "Entanglement" critically?
Yes: Chained for Life sits at 100% on one major aggregator, while Who We Are Now and The Disappearance of Eleanor Rigby series cluster in the high-70s or low-80s, all above the roughly 60-65% range associated with Entanglement. That said, critical scores are only one measure; viewers who love Entanglement's quirky, relationship-focused tone may find Who We Are Now the closest and most satisfying companion piece.
Where can I stream these Jess Weixler movies?
As of 2025, Who We Are Now, The Disappearance of Eleanor Rigby, Chained for Life, Free Samples, Somebody Up There Likes Me, Lamb, and The Death of Dick Long are each available on at least one major streaming platform in the United States, meaning they can be watched alongside Entanglement without hunting down niche physical releases. Distribution rights vary by region, so viewers outside the U.S. should check local platform catalogs for the most up-to-date availability.
Does Jess Weixler only do indie films like "Entanglement"?
No; while she is best known for her work in American independent cinema, including Entanglement, she has also appeared in larger-budget projects such as It: Chapter Two (2019) and the Lifetime TV movie As Good As Dead. Nonetheless, roughly 80 percent of her feature credits since 2010 fall into the micro-budget or mid-range indie category, which is why viewers comparing her to Entanglement naturally gravitate toward smaller, character-focused titles.